BiblioVault - Books by Jones, James

Black Jack

John A. Logan and Southern Illinois in the Civil War Era

James Pickett Jones. Foreword by John Y. Simon

Southern Illinois University Press, 1995

John A. Logan, called "Black Jack" by the men he led in Civil War battles from the Henry-Donelson campaign to Vicksburg, Chattanooga, and on to Atlanta, was one of the Union Army’s most colorful generals.

James Pickett Jones places Logan in his southern Illinois surroundings as he examines the role of the political soldier in the Civil War. When Logan altered his stance on national issues, so did the southern part of the state. Although secession, civil strife, Copperheadism, and the new attitudes created by the war contributed to this change of position in southern Illinois, Logan’s role as political and military leader was important in the region’s swing to strong support of the war against the Confederacy, to the policies of Lincoln, and eventually, to the Republican party.

[more]

Jack Kerouac's Duluoz Legend

The Mythic Form of an Autobiographical Fiction

James T. Jones

Southern Illinois University Press, 1999

In the only critical examination of all of Jack Kerouac's published prose, James T. Jones turns to Freud to show how the great Beat writer used the Oedipus myth to shape not only his individual works but also the entire body of his writing.

Like Balzac, Jones explains, Kerouac conceived an overall plan for his total writing corpus, which he called the Duluoz Legend after Jack Duluoz, his fictional alter ego. While Kerouac's work attracts biographical treatment—the ninth full-length biography was published in 1998—Jones takes a Freudian approach to focus on the form of the work. Noting that even casual readers recognize family relationships as the basis for Kerouac's autobiographical prose, Jones discusses these relationships in terms of Freud's notion of the Oedipus complex.

After establishing the basic biographical facts and explaining Freud's application of the Oedipus myth, Jones explicates Kerouac's novels of childhood and adolescence, focusing on sibling rivalry. Supporting his contention that the Beat writer worked according to a plan, Jones then shows how Kerouac revised The Town and the City (1950), his first published novel, in Vanity of Duluoz, the last novel published in his lifetime, to de-emphasize the death of the father. He treats three versions of Kerouac's road novel—including On the Road—as versions of Oedipus's fateful journey from Corinth to Thebes. And he argues that Pic, often considered peripheral to the Duluoz Legend, replicates the Oedipal themes.

Jones demonstrates that Maggie Cassidy, The Subterraneans, and Tristessa share a form that results from Kerouac's unresolved rivalry with his father for the love of his mother. He discusses Kerouac's replacement of the destructive brother figures in On the Road and Visions of Cody with the constructive hero of The Dharma Bums. He also shows how the Oedipal structure of the Duluoz Legend applies to Kerouac's nonfiction.

In the penultimate chapter, Jones explains how Big Sur, Kerouac's story of his alcohol-induced nervous breakdown, actually marks the climax of the Duluoz Legend. The alcoholism, Jones insists, is not the cause but a symptom of a breakdown brought on by his attachment to his mother. He shows how Kerouac's obsession with his family repeats Oedipal themes throughout the Duluoz Legend. Finally, he deals with Oedipal themes in Kerouac's nonnarrative work, including Old Angel Midnight, Some of the Dharma, The Scripture of the Golden Eternity, and several poems.

[more]

John A. Logan

Stalwart Republican from Illinois

James Pickett Jones

Southern Illinois University Press, 2001

A Map of Mexico City Blues

Jack Kerouac as Poet

James T. Jones

Southern Illinois University Press, 1992

In this pioneering critical study of Jack Kerouac’s book-length poem, Mexico City Blues—apoetic parallel to the writer’s fictional saga, the Duluoz Legend—James T. Jones uses a rich and flexible neoformalist approach to argue his case for the importance of Kerouac’s rarely studied poem.

After a brief summary of Kerouac’s poetic career, Jones embarks on a thorough reading of Mexico City Blues from several different perspectives: he first focuses on Kerouac’s use of autobiography in the poem and then discusses how Kerouac’s various trips to Mexico, his conversion to Buddhism, his theory of spontaneous poetics, and his attraction to blues and jazz influenced the theme, structure, and sound of Mexico City Blues.

Jones’s multidimensional explication suggests the formal and thematic complexity of Kerouac’s long poem and demonstrates the major contribution Mexico City Blues makes to post–World War II American poetry and poetics.

[more]

Negotiating Disability

Disclosure and Higher Education

Stephanie L. Kerschbaum, Laura T. Eisenman, and James M. Jones, Editors

University of Michigan Press, 2017

Disability is not always central to claims about diversity and inclusion in higher education, but should be. This collection reveals the pervasiveness of disability issues and considerations within many higher education populations and settings, from classrooms to physical environments to policy impacts on students, faculty, administrators, and staff. While disclosing one’s disability and identifying shared experiences can engender moments of solidarity, the situation is always complicated by the intersecting factors of race and ethnicity, gender, sexuality, and class. With disability disclosure as a central point of departure, this collection of essays builds on scholarship that highlights the deeply rhetorical nature of disclosure and embodied movement, emphasizing disability disclosure as a complex calculus in which degrees of perceptibility are dependent on contexts, types of interactions that are unfolding, interlocutors’ long- and short-term goals, disabilities, and disability experiences, and many other contingencies.

[more]

The Pistol

James Jones

University of Chicago Press, 2003

As bombs begin to fall on Pearl Harbor, nineteen-year-old PFC Richard Mask is wearing a pistol, a .45 caliber automatic that makes him feel connected to the army of the Wild West and Custer's Cavalry. In the chaos of his first days and weeks of the war, as Mask and his company move from Schofield Barracks to the beaches of Oahu, then to a remote mountain pass, a struggle over the pistol dominates this novella's action, providing the pathos and savagery of the story.

[more]

Race in America

The Struggle for Equality

Herbert Hill

University of Wisconsin Press, 1993

Race in America is a multidisciplinary analysis of race and injustice by some of the nation’s foremost scholar-activists who helped shape the course of the struggle for civil rights during the recent past. These essays provide a historical retrospective, an assessment of where we are now, and an outline of possibilities for the future.
    The major controversial issues in race relations, in the past and in the present, such as affirmative action, educational segregation, racial practices of labor unions, legal strategies for protest movements, the persistence of racism in American institutions, and the sources of resistance to change are discussed at length by major authorities in their respective fields.
    Many of the most important events in recent American history come alive in these pages as the strategies and programs, the victories and defeats of the civil rights movement are rigorously examined. A unique aspect of the book is that the human experience of active participants in this rich history is evoked through personal and often poignant accounts, such as those of Kenneth B. Clark, who in a memorable autobiographical essay describes a long life devoted to the pursuit of racial justice, and Patricia J. Williams, who relates the contemporary struggles of African American women to the historical context of slavery and its aftermath.
    As no other book can, this collection provides the basis for the critical insights and historical perspectives that are essential for an understanding of the central issue still confronting American society: race and racism.

[more]

WWII

A Chronicle of Soldiering

James Jones

University of Chicago Press, 1975

In 1975, James Jones—the American author whose novels From Here to Eternity and The Thin Red Line had made him the preeminent voice of the enlisted man in World War II—was chosen to write the text for an oversized coffee table book edited by former Yank magazine art director Art Weithas and featuring visual art from World War II. The book was a best seller, praised for both its images and for Jones’s text, but in subsequent decades the artwork made it impossible for the book to be reproduced in its original form, and it fell out of print and was forgotten. This edition of WWII makes available for the first time in more than twenty years Jones’s stunning text, his only extended nonfiction writing on the war that defined his generation.

Moving chronologically and thematically through the complex history of the conflict, Jones interweaves his own vivid memories of soldiering in the Pacific—from the look on a Japanese fighter pilot’s face as he bombed Pearl Harbor, so close that Jones could see him smile and wave, to hitting the beach under fire in Guadalcanal—while always returning to resounding larger themes. Much of WWII can be read as a tribute to the commitment of American soldiers, but Jones also pulls no punches, bluntly chronicling resentment at the privilege of the officers, questionable strategic choices, wartime suffering, disorganization, the needless loss of life, and the brutal realization that a single soldier is ultimately nothing but a replaceable cog in a heartless machine. As the generation that fought and won World War II leaves the stage, James Jones’s book reminds us of what they accomplished—and what they sacrificed to do so.

[more]